There is no furtive entrance, no attempt to conceal the weariness. The play opens with Willy returning home early from a sales trip to New England, and from the first Klugman plays him as a man finally beaten down by life’s hard circumstances. Indeed, Robinson presides over a series of interesting choices that only heighten the play’s tragic qualities. Robinson does not integrate these two elements as smoothly as one would like - there is a fit-and-start quality to his transitions - but he conveys the pathos of Miller’s proto-dysfunctional family nonetheless. It is at once a chronicle of a death foretold and a memory play. Part of the genius in Miller’s play is that it not only recounts Willy’s crack-up in great detail, but also provides audiences with the deep background to understand it.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |